Martyna Dawidowska
Visual Designer @Revolut
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WORK HISTORY
Visual Designer @Revolut
As a Visual Designer at Revolut, I create effective performance marketing visuals, both static and motion, for existing and new exciting upcoming Revolut products. I work with industry top talent: Growth Marketing team, 3D artists, and sound designers, I produce creative assets for growth channels, with a focus on paid channels such as Facebook, Instagram, TikTok, YouTube, and Google App Campaigns. Video and statics for digital placements are my forte, but I also work with formats such as DOOH and OOH. Using Figma and AfterEffects, I deliver thumb-stopping ads.To kickstart my creative process, I gather design references, create mood boards, scamps, storyboards, and animatics to communicate ideas effectively to stakeholders. I take full ownership of projects from concept to completion, ensuring that the final product aligns with Revolut’s business objectives. In addition, I localize assets for different markets, ensuring that our designs reach potential customers in all areas.
EDUCATION
University of the Arts London
Foundation degree, art and design, Graphic Design
University of Brighton
Bachelor of Arts (BA), achieved 1st, Communication Design (Graphic Design)
SKILLS
ABOUT MARTYNA DAWIDOWSKA
I’m a Creative Designer with 10 years in the industry, including in-house marketing and agency experience. As a Lead Designer at Bricklane (Property investment platform: fintech, proptech sector), I shaped Bricklane’s visual identity. I optimised Bricklane’s corporate communications, securing a £600m partnership. As a Creative Artworker at VMLY & R HEALTH, WPP (Healthcare communication agency: pharma sector), I created adverts and digital content for multinational pharmaceutical companies (Bayer, Novo Nordisk and Pfizer). I am a purpose-driven and committed person. I pride myself on working for a start-up and successfully contributing to its rapid growth. I graduated with 1st in Communication Design (Graphic Design) from The University of Brighton (2014).
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