Ryan W.

Member, Production Executives @Academy of Television Arts & Sciences

Los Angeles, CA, US
MOBILE NUMBERS
+18•••••••18

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WORK HISTORY

Jul 2019 — Present

Member, Production Executives @Academy of Television Arts & Sciences

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EDUCATION

2019 — 2019

Harvard Business School Online

Credentials of Readiness Certificate

2006 — 2010

UC San Diego

Bachelor's degree, Business & Marketing / Film Production (Honors)

2009 — 2009

University of Virginia

Semester at Sea: Spring 2009, International Business/Trade/Commerce

SKILLS

EntertainmentEditingFinal Cut ProProduction FinanceStrategic Financial PlanningPre-ProductionCorporate Film ProductionDigital MediaNew MediaProduction AdministrationFeature FilmsMicrosoft OfficeFilm ProductionSocial MediaVideoMarketingAvidPost ProductionVideo EditingPremiereShort FilmsManagementVideo Post-ProductionFilmVideo ProductionWeb VideoTelevisionProducingMicrosoft ExcelDocumentaries

ABOUT RYAN W.

I started my career on set.Not in finance.In production.Building call sheets. Coordinating crews. Running payroll on premium scripted series. Learning how shows actually get made before ever touching a studio budget.That path took me from on-set production and payroll on shows at Warner Bros, Skydance, HBO, ESPN, and UFC… into Studio Finance at ABC Studios… into Production Finance leadership at Disney… and now to Vice President of Production Finance at AMC Networks.I specialize in the intersection of:• Production reality (how shows are actually made)• Studio and network finance oversight• Tax incentive strategy across North America and internationally• Slate-level budget visibility and forecasting• Building systems that make production finance faster, clearer, and more actionableBecause I didn’t start in finance — I started in production — I approach production finance differently. My focus is always on building tools and reporting that serve production, not fight it.Recently, my work has focused heavily on systems automation, data visibility, and AI-driven reporting tools that modernize how studios and networks manage production at scale.Production finance should be a strategic advantage, not a reporting function.

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