Nathalie Lapicorey

WORK HISTORY

EDUCATION

SKILLS

ABOUT NATHALIE LAPICOREY

The world is an inexhaustible reservoir of artistic energy. The universal language of art sparks emotion, stokes hope, and broadens our collective horizon. I chose to share and defend it by helping creators make their art thrive. Trained in design and cultural mediation, I learned how to make ideas travel across disciplines. A detour into civil engineering in Geneva, where I helped create the new Place de la Nation for Solfor, instilled the rigour of project management. That discipline guided me when I joined arUms Gallery in Paris\' Carré Rive Gauche, building bridges between artists, exhibitions, and collectors, an experience that still sharpens my ability to match the right sensibilities with the right opportunities. Since 2007, I’ve had the privilege of growing at Partizan. Seven formative years alongside its founder, Georges Bermann, plunged me into international film and audiovisual production between Paris, Los Angeles and London. Curiosity and self-teaching became my true degrees, pushing me to master budgets, talent negotiations, and the delicate balance between commercial demands and artistic audacity. That momentum led me to create Combineed, giving me the freedom to operate across the many artistic realms that excite me, highlighting talents such as Thomas Dartigues aka Decktwo, now collected worldwide. Combineed celebrates every medium - from works on paper to monumental murals, from film to AI-generated pieces - because I remain convinced that medium diversity keeps the art ecosystem alive. Today, as Executive Producer and AI Project Lead at Partizan and Royal Post, I place artistic vision at the center of every project. I steer initiatives that turn machine-learning advances into concrete solutions, optimising traditional post-production pipelines while equipping directors with new tools to express their art. The goal is simple: amplify our craftsmanship, never replace it. Across every chapter, one conviction drives me: innovation matters only when it becomes a bridge between forms of expression and carries us toward an ever richer, more vibrant cultural future.