Michael H. Rohde

WORK HISTORY

EDUCATION

ABOUT MICHAEL H. ROHDE

Michael H. Rohde, FROM BELOW After long-standing artistic discussion with the subject Realisation by perception in the areas of Perspective, space, clarity and chaos, Michael H. Rohde began in 2010 with the working subject FROM BELOW. He developed this subject from the conditions of his homelessness on the edge of Berlin. During this time he artistically worked, in search of sleeping possibilities, on the subject in THE TOP VIEW which rooms show from the point from above. This are the rooms in desolate houses in those he during his homelessness lived. The perspective from above, because he was under the pressure of the labour office and felt which refused all applications for the move to Berlin, to thereby the homelessness intrat to him. From above the view is the view of control and power. When he had been able to rent a flat in Berlin after five months, he looked for a contrary perspective, as from control and power. Thus he came on the view from below. Since 2014 Michael H. Rohde works on the untersubject „Investigation of historically significant rooms“ as for example Albert Einstein house, Friedrich Nietzsche house, Sigmund Freud house. from the perspective from below show. Michael H. Rohde sees himself as a painter, not as a photographer. His works fascinate by her composition of a picture, Farbigkeit, Deteilreichtum and size leant to the old Dutch painting, show, however, them at the same time a certain severity, reduction and clarity of the minimalism. Most works are composed with an extreme Farbigkeit like in the pop art. Concerning the contents how compositional are the tracks of the discussion with painters Caspar-David Friedrich, Jan Vermeer, as well as contain Giorgio de Chirico.