Mark Ingham Pfhea Ntf
Principal Fellow of the Higher Education Academy (Pfhea) @Advance HE
Signup · Get unlimited contacts
WORK HISTORY
Principal Fellow of the Higher Education Academy (Pfhea) @Advance HE
EDUCATION
Camberwell School of Arts & Crafts
Henry Moore Foundation Fellowship, Installation Art
Goldsmiths, University of London
PhD, Visual Art
UCL Institute of Education
PGCE, Art and Design
2010- 2011 Certificated Learning through Transformative Technologies ACAD1227/ACAD1228 University of Greenwich
Certificate, Art and Design
Slade School of Fine Art, UCL
Higher Diploma (Postgraduate), Sculpture
Senior Fellow of the Higher Education Academy
SFHEA, Art and Design
Netherhall Comprehensive School
'O' Levels and 'A' Levels, Art, Mathematics & Physics
Course Market - LX Pathways
Fundamentals of Online Teaching Track!, Online Education
FutureLearn
HOW TO TEACH ONLINE: PROVIDING CONTINUITY FOR STUDENTS, Online Edication
OpenLearn
How to make an open online course , Online Education
Future Learn
Online Course, Online Pedagogy - 'Learning in the Network Age'.
Cambridgeshire College of Arts and Technology
Art and Design Foundation Course, Fine Art Sculpture, Printmaking and 3D Design
SKILLS
ABOUT MARK INGHAM PFHEA NTF
I am a Reader in Critical and Nomadic* Pedagogies, PFHEA, a National Teaching Fellow (2021), Co-Chair of UAL’s Professoriate, and a UAL Senior Teaching Scholar in the Design School at London College of Communication, University of the Arts London. A co-founder of UAL’s Experimental Pedagogies Research Group (EPRG). https://eprg.arts.ac.uk/ An Assembler of the Nomadic Detective Agency https://nomadicdetectiveagency.org/ https://bsky.app/profile/cosmic-artisan.bsky.socialhttps://bsky.app/profile/eprg.bsky.socialMy pedagogical and creative research over the last 30 years have been entangled encounters with: images of thought and memory, rhizomatic & meta-cognitive learning theories, fuzzy narratives and virtual and physical liminal teaching spaces. My research critiques relationships between autobiographical memory and photography, Deleuzian and Guattarian ideas of ‘becoming rhizomatic’, assembling agency, nomadic thinking, and active blended learning, with ideas of belonging and critical pedagogies.\"A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.\" Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)\"Technology is not neutral. We\'re inside of what we make, and it\'s inside of us. We\'re living in a world of connections — and it matters which ones get made and unmade.\" Donna Haraway (A Cyborg Manifesto)“Art struggles with chaos but it does so in order to render it sensory.” Deleuze and Guattari:\"Break a vase, and the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole.\" Derek Walcott*The origin of the word ‘nomad’ for Gilles Deleuze and Felix Guattari, is not, as many have assumed, a romanticised image of actual nomadic peoples, such as the Bedouins, but rather Immanuel Kant\'s disparaging claim that the outside of philosophy is a wasteland fit only for nomads.
This profile is compiled from publicly available professional sources. Unifers is not affiliated with or endorsed by LinkedIn. Request removal of this profile.