Kyle Espinosa
Vice President, Global Channel Programming & Data Analytics @Fremantle
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WORK HISTORY
Vice President, Global Channel Programming & Data Analytics @Fremantle
Los Angeles, CA, US
Lead programming and analytics for 20+ FAST channels across 20+ platforms (U.S, UK, Canada, Australia) and OTA network programming, delivering 500M+ annual viewing hours and fueling ad inventory growth.• Built and iterated revenue-share forecasting models (±5% accuracy) to project partner splits across CPM, fill rate, and ad load variables — effectively managing a “mini-P&L” for FAST economics.• Developed dashboards that reconcile gross ad-sales revenue with Finance for accounts payable, ensuring platform reports and Fremantle’s financial records align.• Advised P&L inputs for greenlighting new channels/platforms, using comps and forecast models to guide investment and launch decisions.• Partner cross-functionally with Finance and Ad-Sales to tie programming schedules to inventory yield, RPM, and eCPM performance.• Expanded analytics from a one-person function into a dedicated team, now central to programming and revenue strategy.• Recognized as a thought leader with FAST/AVOD industry panel talks (Oct 2025).
EDUCATION
Harvard Online
Certificate Program, Data Science Principles
Grinnell College
Bachelor of Arts, Studio Art
Harvard Business School Online
Other; CORe Credential of Readiness
SKILLS
ABOUT KYLE ESPINOSA
I build and scale video businesses by bridging content programming, analytics, and monetization across FAST, AVOD, SVOD, and broadcast.At Fremantle, I lead programming and analytics for a portfolio of 15 FAST channels across 20 platforms in the U.S, UK, Canada, and Australia, while also overseeing OTA network programming. Together these businesses deliver over 500M annual viewing hours and fuel ad inventory growth across both digital and linear distribution. I’ve also developed revenue-share and ad-sales forecasting models (±5% accuracy) and partnered with Finance and Sales to connect programming schedules directly to inventory yield, RPM, and eCPM.Previously at Warner Bros Discovery, I worked on editorial and merchandising strategy for HBO Max — covering high-profile HBO Originals (House of the Dragon, Dune, Matrix 4) and launching AVOD initiatives. Earlier at Nickelodeon, I spent nearly a decade launching digital content services across Apple, Amazon, Hulu, Netflix, Pluto, and more — gaining a deep foundation in content operations, rights management, and scheduling mechanics.My focus now is on roles where I can bring this hybrid lens — FAST + OTA programming, analytics, and monetization — to global content teams, helping bridge the transition from linear broadcast to ad-supported streaming.
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