Karine Alger
Project Manager @Rochefort Atelier
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WORK HISTORY
Project Manager @Rochefort Atelier
Montreal, QC, CA
Deliver products aligned with artistic and technical requirements while meeting deadlines and budgets•Ensure product reproducibility through detailed technical documentation•Facilitate Operations maintenance through strategic material and manufacturing choices•Implement and integrate new technologies (3D scanning, 3D printing, digital flattening)•Source and procure base and specialty materials and supplies•Oversee material transformation processes•Serve as primary point of contact for clients and stakeholders•Collaborate closely with costume designers•Collaborate closely with textile designers•Lead R&D and supervise first prototypes with cutters and department managers•Monitor project deliverables and production milestones•Track and control project costs and budgets
EDUCATION
Centre NAD
Continuing Education- Zbrush
Collège Jean de Brébeuf
DEC
NAD, School of Digital Arts, Animation and Design - UQAC
Continuing Education
UQAM | Université du Québec à Montréal
Certificate
Centre NAD
AutoDesk Maya certificate intensive training
Dawson College
Continuing Education
Collège LaSalle
DEC
SKILLS
ABOUT KARINE ALGER
Production Coordinator with 16 years in the live entertainment industry, currently specializing in cross-functional team coordination and project delivery at Cirque du Soleil.My career has evolved from documentation and technical roles to coordination. As Coordinator of Specialties for Vegas Shows, I oversee costume development activities, manage cross-functional teams of 12+ people, coordinate with external suppliers, and lead optimization projects in collaboration with designers and artistic directors.My background includes experience in R&D, 3D prototyping, digital fabrication, and technical coordination—giving me a comprehensive understanding of both creative vision and production constraints. This allows me to bridge gaps between departments, anticipate challenges, and facilitate smooth collaboration in fast-paced environments.Previously, I coordinated motion capture operations at Ubisoft (30+ sessions) and managed technical coordination for 3D printing across 4+ creative departments at Cirque du Soleil, handling priorities, workflows, and team training on emerging technologies.Currently expanding my expertise into immersive experiences through professional development, with a long-term goal of evolving toward production management and artistic direction.
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