George Escobar
Co-founder and Educator @Storytellers Film Academy
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WORK HISTORY
Co-founder and Educator @Storytellers Film Academy
Washington, DC, US
Educating storytellers in everything from screenwriting structure to AI-based previsualization, voice synthesis, and performance mapping. Training today’s creators to direct tomorrow’s workflows.Teaching & SpeakingChristian Worldview Film Festival – Keynote Speaker and Regular LecturerContent Media Film Festival - AI Film Mastery Lecturer and Screenwriting WorkshopsBob Jones University – Film & Media Guest LecturerLamplighter Guild, Expolit, SchoolhouseTeachers – Course Creator and LecturerOnline Courses: Introduction to Filmmaking | Screenwriting for Christians
EDUCATION
American Film Institute Center for Advanced Film and Television Studies
Producing Fellowship
SKILLS
ABOUT GEORGE ESCOBAR
Let’s skip the small talk. I help storytellers future-proof their craft. And I do it by blending something ancient—narrative truth—with something electric: AI filmmaking. I’m George D. Escobar. I write, direct, and produce movies. But not just any movies. Faith-based films that actually move the heart. Historical dramas that don’t cut corners. Family stories that survive the streaming scroll. Films like Alone Yet Not Alone, Come What May, and The World We Make (previously on Netflix, now on Angel Studios)—stories that found their audience without losing their soul. I\'ve raised $10M+ in investor funding. Co-founded Advent Film Group to train the next generation of Christian filmmakers. Served as Executive Producer at Focus on the Family. Today, alongside Dr. Joel Bunkowske, Esq, JD, MBA, PhD, we\'re building 3 Days Studios—a fast follower of the Angel Studios model—and leading Storytellers Film Academy, where I teach screenwriting, directing, and now, the radical new language of AI-enhanced storytelling. My background is a twist of its own: I started in TV (assistant to the director on Love Boat, Dynasty), moved into tech (AOL/TimeWarner, Discovery, Verizon), earned 7 U.S. patents in streaming and interactive media, then circled back to what I always loved—story. Here’s the throughline: I know how to build films from scratch—scripts, crews, budgets, distribution—and I’m pioneering how AI tools can elevate creativity without replacing it. I teach what I practice, and I practice what the industry needs next. If you’re a studio, creative agency, or filmmaker wondering how to actually use AI in a way that serves story, not short-circuit it—let’s talk.
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